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We used to know Émile Sornin as the son, the pupil, who saw fathers of his among the pioneers of baroque, progressive and psychedelic pop; who found big brothers by heart and aesthetics in Aquaserge; the (nearly) solitary creator of the "fine retro-maniac piece of work" (The Drone), Rhapsode, in 2014. After experiences in metal, garage, hip hop, he had spent a lot of time exploring, mixing together, digging, getting to the roots with the seriousness of a young man on a quest for territories to occupy. An insatiable jack-of-all-trades, he directed delirious videos for Dizzee Rascal or Disclosure when he wasn't combing the countryside to discover new instruments (the movie Le Bon Coin Forever).
Built as an imaginary movie in which genres collide from one scene to the next (crime film, romance, comedy, erotica, slasher – you name it), La Pantoufle draws on childhood joys and terrors, only to reenchant them. This is how Forever Pavot takes on its role as a "Father", laying the foundations for a bright future.
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